Al'adu
Baƙi na fata yana da rai kuma da kyau a cikin 'Vince staples show'
kalmomi daga joliamour dubo-Morris
Hotunan ladabi na Netflix
Wannan ya gabata Fabrairu, Masu kallo sun duba a cikin West Coast Rappper Vince Staples na Rayuwa a cikin Mayi biyar kawai. Wadannan lamari masu yawa daga goma sha biyar zuwa diloli masu yawa-diddigin ra'ayoyi daban-daban na rayuwa a cikin wasan kwaikwayon. Daga fitowar tauraruwar fitowar ta farko daga cikin sa'o'i biyar a kurkuku zuwa wani haduwa tare da abokai na yara a lokacin da suke kare a banki, Zuwa Cututtukan Iyali, Samun tsalle-tsalle ta Mascots a Surf City, da kuma harbi tsakanin yaronsa na nememesis a cikin kasuwar Gashi; jerin suna amfani da lokacin da suke da shi a cikin kowane juyi cikin hikima. Kamar yadda Vince staples show shine farkon irinta don amfani da labarin labarin labarin 90s kamar Martin ko Fresh Bearce na Bel-Air kuma sanya shi da hanya ta zamani, Yanzu shine jerin na hudu tunda Atlanta, Kasa na soyayya, da Ni mahaukaci ne, Don sauka daga kan hanya mai baƙar fata.
Baƙar fata-sortalism, ko Atro-Suriyya, wani labari ne na tanƙwara wanda ya gyara hakikanin sihiri da kuma cibiyoyin da ke kewaye da haruffan baki. Abin ƙarfafa abu wanda ke sakin hankali zai iya yi shine ƙin tabbataccen gaskiya tare da ra'ayoyin marasa iyaka. Cikin 2016, Donald Glover Atlanta fadada tunanin masu kallo ta hanyar nuna cewa baƙi maza da dukkan baki jam'iyyar na iya ganin kansu fiye da rashin amincin 'yan sanda, tashin hankali, Kuma labarun gabaɗaya waɗanda ke ci gaba da haifar da jin zafi ga jama'armu. This show’s ability to bend time and space while keeping an authentic and certainly relatable voice echoed more filmmakers and directors to rise. Thus, came Jordan Peele’s Get Out made in 2017, Boots Riley’s Sorry to Bother You cikin 2018, and Juel Taylor’s They Cloned Tyrone made in 2023. For TV shows, audience members began to tune in for the series previously mentioned—Misha Green’s Kasa na soyayya cikin 2020 and Boots Riley’s Ni mahaukaci ne cikin 2023.
Even though Kasa na soyayya canceled, da Atlanta was more than generous to give viewers four seasons, The Vince Staples Show appears for audiences at a time when keeping Afro-Surrealism alive in entertainment is crucial. If we just observe, we can see that this new genre has kept Black writers and filmmakers inspired to create.
These shows hold each other up and enforce that Black entertainment stays genre-breaking, transformative, and unfathomable. Without these creators, without this genre, we have seen entertainment paint shows with the gloomiest and most depressing narratives. How can we stay motivated if the content given to us silences our dreams, our optimism, and our peculiarity? Maimako, surrounding communities of color with plots of the suffering we all know we’ve endured.
Vince staples show showcases a dual approach that allows viewers to recognize the hardships of being from Long Beach, such as poverty, violence, and imprisonment. Yet, Staples identifies moments of joy, comedic flair, and sometimes even psychological Disturbia that shift the conversation from what hurts our community to what can help us. And that’s the consistency to make art that reflects our agency and imagination.
Vince staples show emulates the airiness viewers get when putting on a late-night rerun from a sitcom series. As the other Black-Surrealistic series and films took a point in still creating a narrative that addresses an issue (environmental racism in They Cloned Tyrone, obsession for success in Atlanta, code-switching in Sorry to Bother You), Vince staples show is a series that can finally exist for the sake of existing. It doesn’t have to be overtly think-pieced and reviewed from a political standpoint. It exists so that we can have something to watch when nothing else is good on television, or when we need something to giggle at here and there while multi-tasking on something else—or just simply because when watching it, the stress of constantly thinking in a lens that affects us politically, economically, and socially can drift away the moment the episode begins. And that’s real change, kuma.