Henrietta Harris

Ahenado tumen le melancolía ti' jump'éel adolescencia extendida, le generación milenaria ts'o'ok u Kaxa'antbil u jump'íit ti' jump'éel asab. Ch'a'abal ti' le pliegues cruzados ichil le expectativas le ‘Baby Boomers’ yéetel jump'éel náach u jaajil alentador u jaajil, bey k intentamos meentik u ts'o'okol mientras u intenta pisar le ja'ilo'ob ébano ti' jump'éel pantano societal u ts'o'ok u comenzado Chaambel u enguar k. K adornamos k yaantal digital, le chen súutulo'ob jaajil ku bejla'e' bey importar, yéetel filtro ka' filtro k'i'ik'el ti' biin intento vena utia'al u meentik k yóok'ol kaab jump'éel kúuchil asab brillante, wa Ba'axten lo bey utia'al enmascarar k desilusión yéetel sutk'esiko'ob ti' ba'al jump'íit asab palatable. Jach ti' le intersección ichil wayak'ta'al digitalmente elaborado yéetel triste súutulo'ob jaajil u le meyajo'ob Henrietta Harris tuus beya'. Alluringly serene in their depiction of a generation who’s dysphoria has obscured expectations as she augments their picture perfect faces. Distorting them in an illusory manner that manages to perfectly portray the state of a generation.

Born in Auckland, New Zealand to a Primary School Art Teacher mother and a Lawyer turned Viticulturist father, Harris was actively encouraged to express herself creatively from an early age. Her parents surrounded her with works of art and books. Often taking her on trips to galleries and museums during the holidays, where Harris would attempt to copy the works of well-known artists in her own style. It is through this trial and error process and her later studies at the Auckland University of Technology (AUT), tu'ux tu náajaltaj u Bachelor u Bellas Artes ti' 2006, ba'ax Harris desarrolló u marca chen u retrato. Enlazar múuch' jump'éel amplia gama estilos yéetel kaambalilo'ob utia'al u crear jump'éel estética distintiva u ts'o'ok u entrado le mentes le generación Instagram (leti' bejla'e' yaan jump'éel je'ela' u 55.5 k'uj), Ejecutivos paax yéetel le prensa tumen igual.

Ka' jo'op' u u práctica presenta le yóok'ol kaaba' yéetel ofertas bey wayak' ti' pasteles perfectos, jach talam u yila’al ma’ u ts’a’abal k’ajóoltbil le sombrío ti’ u meyaj Henriettao’. U sujetos, cuyas expresiones tienden k'ex u contemplativo u wistful yéetel forlorn ku tu menudo sesgados tumen u técnica firma (ba’ax leti’ leti’e’ cariñosamente ku refiere ti’ bey ‘Melty-Fauta’ .), envuelto tumen niebla surrealista wa ausentes u yáantajo'ob faciales jaatsatako'ob. Crear jump'éel intrigante incomodidad ti' u meyaj ba'ax le ti' le instante relatable. U narrativa pictórica proporciona u audiencia yéetel ka'ap'éel jump'éel bix u escapismo visual, mientras u involucra u tuukul ti' jump'éel bix introspectiva u tu menudo ku sa'atal ti' óol tuláakal le máasewáalo'obo' ti' le retrato contemporáneo. Lela' lela', tu tséel u habilidad excepcional bey juntúul xa'ak'tan yéetel draushwoman yéetel instantáneamente identificable mezcla elementos surrealista yéetel naturalistas ku séen meentik Harris jump'éel favorito firme ti' le escena yila'ob ti' internet ichil. Áantaj ti' leti'e' utia'al u t'u'uchpachtik náajaltik reconocimiento internacional bey u meyaj ku ye'esik ti' galerías ti' tuláakal le yóok'ol kaaba' yéetel ti' yane' le yóok'ol kaaba' asab táanil yila'ob incluyendo Art Basel a.