IVAKATAKARAKARA
Annrique Oliveiira .
Vosa mai Kati Pati Farley .
Na daudroini mai Brazil o Henriqueira, e sega ni dau kere veivosoti ena nona vanua ni culacula ena nona were ena kena e vakayagataki na idre ni innovition kei na kena musu na iyalayala ni droini ruarua kei na kena e dau caka kina na nona antiets .. E dua na painia parasa e painia tiko e rawa ga ni kenadau ena dua na iyatuvosa ni nodra ., E bulia o Oliveira na cakacaka ni droini ni droini e taura qai dreta e dua na balavu ., vakasamava, e tini sara ena dua na ka e vakavuna na kena dau vakayacori .. Na tikiniivola oqo e vakasakiti na kena ivakadewa me vaka na ganiti ., Na vanua-pecivic ni vanua ni cakacaka vata kei na lawa ni dentas era sega ni rere e sega ni rere ., mavoa, n and and and and pus plat me buli kina na isasabai ., chaasorial chaist kei na iyaya absitestiw na iyaya ..
O ira na tamata cakacaka era vakacakacakataki […] “keda” – na in the Potukali e vakadewa ni sere ., idabedabe, se na enclouru – me vaka e dua na uludra na lewe levu ni nona cuddruations.. Na vosa vakadodonu e semati ki na gera ni tara vale vakalekaleka ka a sotava na aesthetical octully o Oliveiira ena siti o Oliveiira ena koro o São Paulo .. E vakadewataka o Tapumes me vaka na veivakauqeti taumada ni o koya e daudroini e dreta mai na nona cakacaka ., e dua na iyaya ka a laurai taumada ena nona katubaleka ni rumu ni moce ena univesiti ka sa mai basika oqo me vaka na kena ivakatakilakila ni nona droini e kilai tani kina na nona tiki ni kau ni spatial ..
Me vaka na gauna makawa, A raica o Henrique na deteroraration kei na kena eparate na roka ni rokana kei na drauniveva .. Na imatai ni nona vakadaberi ka a vakaraitaki ena loma ni nona iotioti ni gonevuli e a tauri mai na tabana ni workouding e tautuba ka sa boko tiko .. “Na ka e cakava e liu na noqu vakasama me baleta na mataqali plywood na mataqali plywood e kena dau ni vakasama .,” bibi. “Na vakaraitaki ni vakauqeti., the colors and the different tones that were organized in layers, reminded me of a painting surface,” kuria.
Despite his wooden pieces evoking a hectic, monstrous aesthetic, they similarly attain a natural feeling in juxtaposition to his older, less naturalistic paintings. ”They have two different moods and I like to have them in parallel, I think they even work as a compensation for each other,” he says adding: ”The artificiality of my paintings is related to the materials and the colors I use, but they have a truth in the sense that they don’t try to be anything they are not, what you see there, is paint manipulated on a surface. My wood constructions are natural in their materiality, ia era sa daudidididididididididimeco beka ena vakasama ni ra solia na sarasara e dua na itukutuku ni dua na ka e sega dina ni yaco.”
Na “iVakaraitaki kei na veika bula .” na cakacaka ni vakatasuasua e vakaraitaka e dua na vesu vinaly ni araura .. Era bulia e dua na vakasama vakasakiti ni toso e biptivates na sarasara ., e ikuri ni kena tarai cake na nodra kaukauwa sivia ka kaukauwa ..
