Ryunosuke Okazaki

Kalmomi daga Matthew Burgos

Daidaito tsakanin yanayi da ’yan Adam yana satar haske, kasancewar dinkin zaren da alamu a cikin yadudduka masu haɗa abubuwa biyu. Baya ga ainihin mutum a yanayi, Ryunosuke Okazaki ya sake sabunta tarihi, sake bayyana irin bala'in da mutane suka fuskanta, da hasken da suka fanshi a karshen. Haɗa duk fasalulluka a cikin kowane kaya, ya kware da fasahar dan Adam, yanayi, da kuma ba da labari na tarihi a fasaha da fasaha.

Dan asalin Hiroshima yana tunanin tushensa da halinsa yayin da yake ƙirƙirar siffofi da mutane za su iya sawa.. Ya kammala karatun Fine Arts daga Jami'ar Fasaha ta Tokyo, Okazaki yana burin yin suturar jiki da ɗan adam, kiwo a kasar Japan 1945 tarihi da zaman lafiya, da kuma haskaka fahimtarsa ​​ta ƙara cewa canza tufafin mutum yana magana akan ruhinsu da manufarsu a Duniya.

"Hiroshima, garina, sun sha wahala a hare-haren atomic, rasa mutanensa da yanayinsa. An aika da daruruwan cranes takarda tare da addu'o'i a duk faɗin duniya zuwa Hiroshima tare da fatan ba za a sake maimaita irin wannan lamarin ba.. Addu'o'in suna haifar da kusanci tsakanin mutane da yanayi, abubuwan ibada," Ryunosuke ya ce. Zana tasirinsa daga addu'o'in cranes na takarda, zanen origami na al'ada na tsuntsu da ake tunanin zai sadar da rayuka cikin aljanna, ya kera rigar da ta dace da takarda kala-kala don tarin Sallar sa. A lokaci guda, ya dinka zigzag da sifofi a cikin doguwar riga da aka yi da kurayen takarda da aka sake yin fa'ida don a ji rauni a cikin addu'a.. "Suna haɗa addu'o'in duniya tare don samun zaman lafiya marar ganuwa kuma suna ba mu damar jin rayuwa," Ya kara da cewa.

Ruwayoyin Hiroshima, haraji, kuma wucewa ya daure. Tsohon Bankin Japan a Hiroshima ya karbi bakuncin mutanen Okazaki masu neman zaman lafiya a watan Agusta 06, 2018, da tunawa da ranar A-Bomb da Hiroshima Peace Memorial Ceremorial. Yara a Hiroshima sun zana hotuna akan takarda da aka sake yin fa'ida, kuma Okazaki ya hada su wuri guda don samar da tufafin da suka hada kawunansu. A ciki 2019, nunin nasa a gidan kayan gargajiya na Tokyo Metropolitan Museum of Art da Geidai Arts a Marunouchi ya nuna 1945.86.815, tsarin mulkinsa na fashion, rumbun adana bayanai, da jikin mace. Fassarar da ya yi game da gangar jikin mace yana bayyana bambancin ɗan adam da kasala, misalai na fashion tare da tarihi. "People who were exposed to the atomic bombings were burnt and lined up by the river. I did not see the scene, but when I saw the artefacts left in the Hiroshima Peace Memorial Museum, I thought of the body that was destroyed by the conflict caused by other human beings," says Okazaki.

Apart from dedication to Hiroshima’s history, Okazaki also architects designs that resemble avant-garde nostalgia. In Rose, Pulse, Shell, he adopts red and black as his primary colors, the light chiffon red garment masking the black off-shoulder dress beneath. In Okazaki's words, the beauty of rose emits life, the pulse echoes the heartbeat, and the shell protects oneself and evolves around time. The amalgamation of these three forms a clockwork that functions dependently. In the collection In Memory, ya had'a kaya masu kama da ruwan hoda masu haske tare da grid na silver yana zagaye kayan. Fuskar mai sawa tana ɓoye ƙarƙashin ƙullun kayan yadudduka masu ruwan hoda da ja, Hoton Okazaki na haɗawa da mutane ta hanyar ƙwaƙwalwar mutum.

Yayin da imani a rayuwa da siyasa kamar ya mamaye fasaharsa, Okazaki ya yarda da ƙarin haske game da alaƙar ɗan adam da yanayi. "’Yan Adam sun kasance wani ɓangare na yanayi, amma da alama ya rabu da ita ta jiki da ta hankali. Dole ne mu sake yin la'akari da yadda za mu magance yanayi, wanda a hankali ya dushe daga tunanin mutane," Okazaki ya gaya wa Blanc Magazine. "Hakanan, tarihin ɗan adam tarin labaran sirri ne, kuma tarihina na sirri yana haɗawa da tarihin ɗan adam. Zan ci gaba da tsara tunanin abin da na gani da kuma ji daga yanayin da ke kewaye da ni."

Waka da rashin dawwama a cikin dubawa. Ba cadence a cikin stanza ba, amma kwararar yadudduka mara kyau. Ba kayan kwalliyar tagar kantuna ba, amma cikakkun bayanai waɗanda ke haifar da ban mamaki na kyakkyawa. Yayin da tunanin orthodox ya fahimci salon faɗuwa ƙarƙashin ikon fasaha ko akasin haka, ya kauce ya yi magana da su biyun. Yana cusa kayan aikinsa da ruwayoyi na tarihin mutum da na duniya. Ba ya mayar da hankali sosai ga tunanin mai duba kan abubuwan da ya halitta da kuma yawan sadaukar da kai ga kansa, labarai, da ikhlasi. Yana tabbatar da koyarwarsa zuwa tafiya ta hanyar sharhi da odes. Mawaƙi kuma mai zane, Ryunosuke Okazaki yana ciyar da masu sa ido tare da abubuwan da suka gabata da na yanzu waɗanda ke haifar da tausayawa da tunani..