Mele
ETNA
Hua'ōlelo e Katie Farley
Me ʻelua EP wale nō ma hope o ko lākou inoa, ʻoiai ka loaʻa ʻana o nā kahawai ʻewalu miliona ma Spotify, ʻO ka duo haku mele e puka mai ana o Kelemānia, ETNA, hāʻawi ʻia e ka mea mele ʻo Inéz i hoʻololi ʻia i ka leo, ua hoʻolaha ʻia kā lākou mele hou loa, 'E hele mai ia'u.' Eia hou, Ke hoʻolaha nei ʻo ÄTNA i kā lākou album piha piha, Hana ʻia e ka makemake, ka mea e weheia ma 14 Pepeluali 2020.
Ke hōʻike nei i ka hoʻoikaika ʻana o kahi wahine hilinaʻi iā ia iho e paipai i kāna hoa e hana hope ma mua o ka nalo ʻana., ʻO ia ka moʻolelo ma hope o ka 'Come To Me,' i loaʻa i kēia manawa. Hāʻawi ʻia ke mele e ka leo leo nui a me ke kuʻi ikaika, e holo wikiwiki ana ma nā ʻaoʻao o ka lauoho ma mua o ka puka ʻana o ka puʻuwai kokoke i kona piko. Nā hoʻokolohua 'Come To Me' me ka ʻike ʻana i nā huaʻōlelo kāne, where ÄTNA unashamedly find themselves breaking down barriers and blurring lines of sexuality. A notion conveyed throughout their spectacular music video.
Repeatedly compared to the sounds of Fever Ray partnering with Grimes in London's imposing Royal Opera House, the musical duo has previously performed at high profile festivals in their native hometown and overseas, furthermore, touring Estonia, Slovenia, and the Czech Republic. Their vocal appeal has escorted them to stage shows in a diverse array of cities, including London and Istanbul, and even frequented a slot at the Montreux Jazz Festival earlier this year, which is a phenomenal achievement for a German band.
With piano as the pivotal focus on each of ÄTNA's innovative live productions – "analog effects mixed indirectly, loops, nā hopena a me nā lohi i hoʻokani ola ʻia, ʻaʻohe mea i hana ʻia - a ʻoiai e hoʻohana paha kekahi iā Autotune e hoʻopololei i ka leo o ka mea mele, ʻO nā hoʻomaʻamaʻa leo ma ʻaneʻi e hoʻonui i ka hohonu i nā leo hoʻokani a Inéz."
"I ka moʻo wikiō mua, Ua hoʻololi au i koʻu kino i nā mīkini hana lole a me nā mīkini lole, me na huila wili, nā mīkini make, mea ulana lole, nā mīkini paʻi, a me nā mīkini kāleka."
Noho i nā kumu kumu o nā neʻe a me nā ʻano like ʻole, ʻO Inéz lāua ʻo Demian - he hui hoʻoikaika ʻia o nā mea like - hoʻoulu i kahi 'hana noʻeau' holomua i ka manawa kiʻekiʻe. Hoʻohui pū ʻia nā mele a ka duo me ke ʻano a me ka hoʻolālā. ʻO nā lole ʻaʻahu monochrome e hele ana ma ke kahua, ʻoiai ke kiʻi nei nā wikiō nani i nā lumi nui me nā dice keʻokeʻo, malu pono, a me na kinona, me kahi hōʻailona e ʻike ʻia me he mea lā ua hoʻolālā ʻo Wassily Kandinsky iā ia.
ʻO Vintage a me ka futuristically holomua i nā ana like, ʻO ÄTNA kahi hana haku o kēia wā, nae hikiwawe undeniably hiki. Ma kā lākou ʻōlelo ponoʻī, ko lakou "e hana ana i ko lakou ao ponoi."