ELOÏSE PTITO-ECHEVERRIA

Mugadziri

ELOÏSE PTITO-ECHEVERRIA




Mazwi naKatie Farley

Mugadziri anowana chishuwo chekuyemura chemicheka inobatika, embroidery yakaoma uye musanganiswa wemavara, Nguo dzaEloïse Ptito-Echeverria dzakazadzwa nehunyanzvi hwekusimba uye zvinoshamisa zvinoshamisa.. Akazvarwa muMontreal, Ptito-Echeverria anoitisa zvidimbu zvake zvepakutanga uye zvine hunyanzvi muToronto, kwaakawana maBDes muFashoni Design paRyerson University mu 2017. Zvisikwa zvake zvinosanganisa chinhu chisingaoneki che melodramatic, izvo pasina mubvunzo mhedzisiro yezvidzidzo zvake zveTheatre Design paConcordia University mu 2013.

Dichotomy inodiwa yezvigadzirwa, mavara akajeka uye madhindi akajeka uye mapatani akabatanidzwa zvakanaka munhevedzano yemabhuku ayo vamwe vangapokana kuti havafanirwe kuroora asi panguva ino., do so with the utmost excitement and allure. Particular examples of this are seen to be illustrated amid Eloïse’s ‘Wearables’ collection. Note the varied fabricated bustier styled with an octopus’s legged-skirt made from tentacles of different woolens and a fitted corset sweetheart neckline dress that occupies a riot of contradicting colors (red’s, oranges, blues, and blacks) and patterns (ornate brocades, stripes, florals and zig-zags).

Fauve is the title of the upcoming designer’s textile-focused line of sartorial garments that she additionally runs on the side of her eponymous label. Limited editions of unique albeit timeless pieces are handcrafted in collections that transmit a characteristically eccentric style of her very own. Nguva dzose yakafuridzirwa ne zeitgeist yeFauvist pendi nguva, chipfeko-chinofadza chipfeko chinoratidzirwa zvakafanana nenyonganyonga yemavara akaiswa mukati mese. "Fauve anoshanda semucherechedzo wekukurudzira kwakadaro uye nzvimbo iyo Eloïse anogona kuyedza uye kuita zvisinganyare muhupenyu hwake hwese rudo rweruvara., embroidery, uye textile”, sezvinoratidzwa papuratifomu yepamhepo yemugadziri.

Nekunzwa kusingaverengeki kuti mashiripiti emavara anogona kusanganisa kugona kwekugonesa, Fauve inowana kudada kukuru mukumutsa art kuita zvipfeko zvinoshanda uye zvinopfekwa, inowanikwa kuburikidza neakaenzana cohort yenhoroondo uye shanduko yemachira maitiro, kusanganisira Rococo ruoko-embroidery. Machira ese anoiswa mukati meFauve anogadzirwa uchishandisa Ptito-Echeverria's bespoke watercolor pendi uye motif., which are digitally printed in her hometown of Montréal, and expertly cut and sewn in Toronto, where the finalized pieces are worked on.

Obeying to the latest rules set by the fashion industries standard along with being a slave to today’s carousel of prevailing trends isn’t on this designer’s working agenda. Pachinzvimbo, she ultimately aspires to craft heirloom pieces that will provide individual, stylish pleasure to on-going generations of females.

Eloïse Ptito-Echeverria’s spring/summer 2018 womenswear collection entitled, “The Many Muses” extracts artful inspiration from Jeanne Hébuterne, Fränzi Fehrmann, and Rosa Rolanda: three varied muses of beloved male painters. The textile-focused line draws on previous thoughts over the years, achitendeuka sekuzvipira kwekugadzira kune vakadzi vakadaidzwa avo vaive sosi yekurudziro inoenderera kuna Echeverria mukati mekugadzira kwake dhizaini..

"Kuburikidza nemhando dzakasiyana-siyana, mushwi wakapendwa nemaoko, embroidery yekuedza, uye micheka yakadhindwa nedigital, Ini ndinotsvaga kukudza hunyanzvi hwekusika hwevakadzi ava hunowanzo furatirwa ”, inodaidzira mugadziri wemuunganidzwa wake wazvino uno. Zvidimbu zvakakosha mukati zvinosanganisira mutsara wakareba wakagadzirirwa, zuva rakashongedzwa jekete, jira rehembe rine mufananidzo wakashama wakashongedzwa uye korona yemashizha egoridhe inodonhera pasi paV muhuro uye peya yegoridhe inonaka yakadhinda ine siketi yeorenji yakafukidzwa..

Munguva iyo zviri nyore uye zvidiki zvigadziriso zvinoita kunge zviri mumafashoni, Machira eEloïse Ptito-Echeverria ane hunyanzvi uye ane hunyanzvi machira uye embroidery anoita kuti iwedzere kunakidza pakati pemazuva ano akafanana aesthetics..

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