Ọnọ
Kim Keever
áljẹbrà 21855
Awọn ọrọ nipasẹ Katie Farley
Awọn ẹtan ti awọn bugbamu ikọja ti o farahan bi awọn bombu iparun ṣe apejuwe awọn iṣẹ ti Kim Keever, ti awọn aworan rẹ ti o ni iwọn nla jẹ apẹrẹ nipasẹ ti o ni itara lati ṣajọ awọn aworan ori kekere kekere sinu ojò 200 galonu ti o kun fun omi lẹhinna. Awọn dioramas wọnyi ti awọn oju-aye conjured ti wa ni idan ni ji pẹlu awọn ina larinrin pẹlu awọn awọ ti o tuka ni aileto., ni apapọ awọn itasi awọn iwunilori evanescent ti Keever yara ya pẹlu kamẹra ọna kika nla rẹ.
"'Kini o jẹ ki o yatọ si awọn oṣere miiran?' dabi ẹnipe ibeere ti eniyan le kọ iwe kan nipa rẹ,” Keever sọ. “Mo ro pe itan ibanujẹ mi wa nipa awọn ọdun akọkọ mi, ṣugbọn lẹhinna ọpọlọpọ awọn oṣere miiran ni awọn itan ibanujẹ. Emi yoo fẹ lati ronu pe lẹhin ọpọlọpọ ọdun ti igbiyanju Mo ti rii nkan tuntun ati iyatọ. Eyi nigbagbogbo jẹ ibi-afẹde mi. Bi o tilẹ jẹ pe Mo n rii idije lati ọdọ awọn oṣere miiran ti n sọ kun sinu omi, Mo ti mu siwaju sii. Mo ti pari 42,000 awọn fọto ni aaye yii ni lilo kamẹra oni nọmba giga-giga. Kan yiya awọn aworan pupọ fun mi ni ọpọlọpọ lati yan lati. Mo nigbagbogbo gbin ati ki o ṣe awọn ifọwọyi diẹ lori awọn aworan fun awọn oṣu ni akoko kan. Ati paapa ti ọkan ba ta, Nigbagbogbo ọpọlọpọ diẹ sii lati ṣe ninu idiyele mi. ”
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áljẹbrà 40996c
Oṣere naa funni ni ẹwa ti aileto iwadi si agbaye ti aworan. “Awọn fọọmu awọ wa, anthropomorphic ati awọn fọọmu ajeji lasan ti Emi ko le nireti lati ṣaṣeyọri bi oluyaworan ṣugbọn nigbati Mo sọ kun ati inki sinu omi, a whole new world comes into view. It’s different every time. So that’s what I’m trying to bring to the art world, something they haven’t seen before, something I haven’t seen before.”
Keever’s original and mesmerizing aesthetic is continually evolving by continually developing innovative concepts to see what happens. As well as experimenting with new shades of vibrancies, he places models in the tank to witness how the paint will conceal them underwater. Through capturing a multitude of photographs, the contemporary abstract artist acknowledges the array of possibilities as to the different direction of his works. “I’ve always believed that if you are sincere enough and really believe in the work you are doing (without kidding yourself), something amazing will eventually come out.”
His latest works are a continuation of the earlier pieces he’d created. “I can only say that I’m truly inspired to keep going” decipher Keever. “There isn’t any particular direction I think I am taking. It’s more like a beautiful journey with surprises around every corner. It’s a little like traveling for months with no need to hurry home.”
Encompassing the ability to formulate an illusion to arouse the wonders of our imagination, Kim Keever’s otherworldly pieces are conceptual eruptions that are genuinely unique.
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áljẹbrà 42321